Disney’s The Lion King is sort of Hamlet with a lot more music and a little less angst. Which is to say, that like so many stories told for as long as humans have told stories and organized themselves into tribes and states, The Lion King is a tale about the conflict over who is properly to be in charge of earthly affairs. Simba, the cub who would be king, has it a lot better off than some kings.
The Fisher King, a central figure in the Arthurian Legend and T.S. Eliot’s “The Waste Land,†is tied to the fertility of the land, his wounded-groin infertility everyone’s infertility, as crops fail, nothing falls from the sky, all is stillborn. Indeed, in some primitive cultures, the king himself would be sacrificed, his blood drained into the soil to appease the gods and insure a return of fertility. Only then, only with the blood of the king, spoke the thunder.
In other cultures we might consider civilized, or at least on the road to civilization, earthly rulers were divine, half-breed demigods and those elevated to the pantheon. Take the Caesars, that Julio-Claudian Dynasty that ruled from the Thames to the Tigris at the time of Jesus. W.H. Auden writes “Great is Caesar: He has conquered Seven Kingdoms.†The poet goes on in his Christmas Oratorio, “For the Time Being,â€: Continue reading “Time Being: November 20, 2016”