Jeremiah 29:1, 4-7, 11
Video at : https://vimeo.com/366618954
There has been a running joke of many years that I am just about the least “gay” gay man ever. Now, I take issue with this fake news. It is true that some question my fashion judgment, that I prefer a beer to a Cosmo, that I watch sports, and by that I don’t mean figure skating… and that I go to bed early. But are we really going to traffic in base stereotype? Besides, I always thought it was a one question application, and that question was not about brunch entrees or Judy Garland.
At least I get one thing right. I do like musical theater and opera, no doubt the result of a childhood where Camelot, Fiddler on the Roof, and Mario Lanza played on the giant console record player in the living room. I especially like it when musical theater crashes into other musical genres, because I love nothing more than a good mash-up. You probably won’t be surprised to learn that I love Hamilton, where history and hip-hop collide with musical theater, because I like history and hip-hop too. In the years B.H., that is before Hamilton, there were other beautiful collisions, notably Jonathan Larson’s smash hit Rent, which opened on Broadway in 1996 and ran for twelve years, grossing over $280 million.
Rent is a modern reimagining of “La Boheme,” Puccini’s classic opera, which premiered exactly a century earlier, conducted by a young Arturo Toscanini. In Rent, the Latin Quarter becomes lower Manhattan, the scourge of tuberculosis becomes AIDS, but the issues are still the same: art on the precipice, love among the wreckage, exploitative economics, and the constant specter of death. The protagonists do not know what comes next, so time and the moment are major themes. The second act begins with one of the show’s enduring anthems, “Seasons of Love,” which reminds us that a common year is “Five hundred twenty-five thousand, six hundred minutes.” Another is the refrain, included in the finale, that tells us:
There’s only us, there’s only this
Forget regret, or life is your’s to miss
No other path, no other way
No day but today
The people in Jeremiah’s time knew a thing about anxiety too. The prophet’s attention was primarily drawn to the macro, to matters religious and political, rather than to the domestic, but people certainly still loved and grieved, suffered disease and hunger and the sort of constant anxiety that comes from one piece of wretched news after another. Continue reading “Present Tense: October 13, 2019”