“The earliest star coined out of the dark coping to the south hanging in the dead wickerwork of the trees along the river.â€
Not quite the sparse prose of Hemingway, nor the overflow of Faulkner, but clearly American, woven from the fabric of the West, a mouthful of the vernacular. These words come from “The Crossing,†the second book in the Border Trilogy by Cormac McCarthy, a great American novelist. The first book in the series, “All the Pretty Horses,†was filmed, as was “The Road,†a later and un-related bestseller, but film does not do justice to McCarthy’s writing, for while it captures the narrative action, which is powerful, it does not capture the salt and sweet of his words, the feel on the tongue, as he describes moments of breathtaking beauty and equally breathtaking violence. McCarthy is the literary reader’s Louis L’Amour, unapologetically dusty, guns and horses, the permeable border between the US and Mexico, the grace of bodies in motion and emotions embodied. Continue reading “In the Bardo: December 3, 2017”