There was a seismic event in the music world this week when the Pulitzer Prize for music composition went to the rap artist Kendrick Lamar for his album DAMN. The music Pulitzer is traditionally awarded to some obscure, rarified work, almost always classical, rarely jazz, not ever something that regular people might actually hear, that might sell. I really do listen to Lamar’s complex and charged hip-hop, as do millions of others.
The music Pulitzer can feel like an after-thought, always the last category listed. The other twenty awards are given for journalism, including photojournalism, and writing, both fiction and non-fiction. The focus on journalism and writing makes sense, as Joseph Pulitzer established the prizes through provisions in his will, and he made his fortune in publishing, though he never would have received his own prize, since Pulitzer was probably the foremost practitioner of fake news in his time, is regarded as the father of yellow journalism. Continue reading “DAMN: April 22, 2018”