On Wednesday night, in our Theology on Tap gathering, we wrestled with the Book of Joshua, with its story of divinely-sanctioned genocide. Many of us are unwilling to worship a god that would order the slaughter of innocent civilians, infants, even livestock. We struggle with both the historicity and the theology of this story, wondering how we can claim the Hebrew heritage without this notion that Yahweh is a violent and exclusive deity. The violence in the Hebrew Scriptures even led to an early Christian heresy, Marcionism, which claimed that the God of the Hebrew scriptures must be a lower deity than the loving God of Jesus.
The truth is, humankind has always had to wrestle with the past, past events, old beliefs, with interpretations of history, though it seems to be almost all we do these days. We pull down statues, change the names of buildings and streets, sometimes rushing to judgment. We want figures of the past to cohere with modern standards of equality and right conduct. For the most part, I get it. Naming the oppressor is necessary in combating oppression and taking the oppressor’s name off a building and the oppressor’s flag off the flagpole sends a powerful signal to those groups that have been oppressed. But like most everyone else, I’m not always certain exactly where to draw those lines. I wish right and wrong were always clear to me, but they aren’t.
Among the re-evaluations of past conduct that have been taking place are the scandals in the Roman church and the #MeToo movement. These have touched every aspect of modern life, from Hollywood and Congress to famous megachurches. Male power can victimize, and speaking truthfully about the ways men have used their power, their economic power, their religious power, has taken down one executive, director, bishop, and actor after another, as well as quite a few of those who enabled their misconduct.
It is hard, in the current context, to imagine that The Police won a Grammy Award in 1982 for the smash hit “Don’t Stand So Close To Me,†the story of inappropriate longing between a teacher and a high school girl. It is one step short of Nabakov’s “Lolita,†a literary classic based on an actual kidnapping, a novel and a song we might now see through a very different lens. Continue reading “Don’t Stand So Close To Me: September 23, 2018”